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Putting Monet and Rembrandt Into Words: Pierre Loti's Recreation and Theorization of Claude Monet's Impressionism and Rembrandt's Landscapes in Litera

Condition: BRAND NEW
ISBN: 9781469613659
Author(s): Richard M. Berrong
Format: Paperback
Year: 2013
Publisher: University of North Carolina Press
Pages: 197
Series: North Carolina Studies in the Romance Languages and Literatures (Paperback)
Series Number: 301

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Claude Monet was not only the creator of what we now view as French Impressionist painting, he was also its last major practitioner. By the time he passed away in 1926, he had outlived all the other painters--Renoir, Morisot, Pissarro, Sisley, and the others whom we now group together under that heading. Yet when Andre Suares, one of the four directors--along with Gide, Valery, and Claudel--of the influential Nouvelle Revue Francaise, summed up the movement that year, he did not give Monet pride of place. Rather, he wrote, 'Far more than Sisley, Claude Monet, or the Goncourt brothers, Loti was the great Impressionist.'As this shows, that Pierre Loti, the once world-renowned French novelist, developed a remarkably Impressionist style was recognized early on. It continues to be acknowledged in France today. Franck Ferrand, a contemporary historian known for his appearances on French radio and television, recently wrote that 'Pierre Loti [is] the only truly impressionist writer of French literature.' Yet while those who know his work in France continue to see him as an Impressionist artist on the level of Monet and Renoir, no one has ever asked how he achieved this in literature, how he went about creating novels that resembled the Please click here to ask a question
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