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Author: Betsy Fryberger

ISBN: 9780856674945
Format: Hardcover
Number Of Pages: 176
Published: 6 November 1998
Country of Publication: GB
Dimensions (cm): 28.8 x 22.3 x 2.0
One hundred and twenty prints by Picasso from the collection of the Simon Norton Museum are presented in this highly readable, fully illustrated, and scholarly catalogue which accompanies the exhibition at the Iris Balzac's Le chef d'oeuvre inconnu; and the Suite Vollard, which reshapes and intertwines the thems of the first two suites in a prolonged meditation on the artist and his model.

Each of the five essays in this book focuses on a particular aspect of Picasso's printmaking activity, beginning with Betsy Fryberger's overview of his prodigious and onnovative practices. Gloria Williams describes the method of Simon Norton's collecting of Picasso prints. Clinton Adams, an expert practitioner of lithography, explains the technique of the innovative lithographs of the late 1940s. Pat Gilmour analyzes and documents Picasso's attention to his mistress Marie-Theres Walter. David Carrier writes of performance and the artist as performer.

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